What Are Paints Made From?

We often get customers in the shop asking what the pigments in our paints are made from such as Cadmium Red and Ultramarine and what the difference is between artist and student quality paint. Artist quality paints are mainly made from pigments ground from the earth such as Yellow Ochre, others are manufactured chemically from the metal cadmium such as Cadmium Red and Cadmium Yellow.

Student quality paint however, is a synthetic mixture that closely mimics the real pigment, but is often not as bright or permanent. A student quality paint can be identified by the word ‘hue’ written after a colour. I thought I would share with you a brief, interesting and sometimes amusing history of the lengths artists would go to make the colours they needed.

Historically, artists would make their own paint in their studios by mixing the pigment with either gum Arabic for watercolour or linseed oil to make an oil paint. Traditionally, Sepia was made from the ink sacks of cuttle fish, Indian Yellow was (allegedly) made from the urine of cows who has been fed on mango leaves, and Vermillion was made from the highly toxic Mercuric Sulphide. Egyptian Brown was historically made by grinding the remains of Egyptian mummies! Some greens were created by mixing copper sulphide and arsenic, but when the colour got damp it gave off a toxic gas. Thankfully, these colours are either no longer made or have safer modern alternatives.

In years gone by, artists could be identified by their pallor; their sunken cheeks and dark rings under the eyes weren’t from a late night painting, but from the chemicals inhaled or absorbed into the skin as they mixed their colours or painted on their canvases. How thankful we are that the tube of paint was created along with the legislation to makes paints safer! Even today, owing to where pigments are found or how they are made, there are still some high quality paints manufactured that do carry a warning due to the pigments used. The better the quality of paint, the higher the chance of it being slightly toxic. These paints give brighter, stronger more permanent colour and are perfectly fine to use as long as you don’t suck your brushes!

What Should I Paint?

I sit at home and never know what to paint.” Does this sound familiar? I have been in that situation myself. You have the urge to paint and you get your palette and brushes ready, sit down and….nothing! No ideas spring to mind and you sit staring at a blank sheet of paper for what seems an age before you pack it all away again and do something else.

The first thing I can suggest to climb out of the creative block is to take plenty of photographs, if your mobile phone has a camera function then you will never be without a camera to take that interesting sky or picturesque landscape. Keep the photographs to hand as you can look through them to gain inspiration and they are all your own work so are therefore copyright free. Remember that you can combine elements of photographs – the sky from one, the land from another and the old, twisted dead tree from another to create a whole new picture.

Another suggestion is to look at some of your previous paintings and try to paint them again but in a different media. This not only helps you to critique your own work and look for improvements but also gives you experience in using a new media that you may have never thought about using. If you don’t have a room set up that you paint in, it can be disheartening because when the mood strikes, you spend fifteen minutes setting up all your materials, in which time the mood may have been and gone. It is therefore important to grab the mood whenever and wherever it strikes. Always keep a sketchpad in your pocket, a pencil and even a few colouring pencils so that you are armed and ready for action. I mentioned last month how useful the biro was to get beautiful tone and shade so there really is no excuse! Don’t give up, the block will eventually pass and just feel safe in the knowledge that everyone goes through it at some point.